LeRoi Jones (Amiri Baraka) Vintage Collection
The Dead Lecturer
The Dead Lecturer, collection of verse by Amiri Baraka, published in 1964 under the name LeRoi Jones. The collection marked a separation for Baraka from the style and literary philosophy of the Beats, with whom he had previously been associated.
Black Music
Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959–1967.
Blues People: Negro Music in White America
LeRoi Jones’ classic work on the place of jazz and blues in American social, musical, economic, and cultural history.
The Dead Lecturer
The Dead Lecturer, collection of verse by Amiri Baraka, published in 1964 under the name LeRoi Jones. The collection marked a separation for Baraka from the style and literary philosophy of the Beats, with whom he had previously been associated.
Black Music
Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959–1967.
Blues People: Negro Music in White America
LeRoi Jones’ classic work on the place of jazz and blues in American social, musical, economic, and cultural history.
The Dead Lecturer
The Dead Lecturer, collection of verse by Amiri Baraka, published in 1964 under the name LeRoi Jones. The collection marked a separation for Baraka from the style and literary philosophy of the Beats, with whom he had previously been associated.
Black Music
Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959–1967.
Blues People: Negro Music in White America
LeRoi Jones’ classic work on the place of jazz and blues in American social, musical, economic, and cultural history.
